Pirney: November 2011

Wednesday, November 23, 2011

[L860.Ebook] Ebook The Green Ember (The Green Ember Series: Book 1), by S. D. Smith

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Heather and Picket are extraordinary rabbits with ordinary lives until calamitous events overtake them, spilling them into a cauldron of misadventures. They discover that their own story is bound up in the tumult threatening to overwhelm the wider world.

Kings fall and kingdoms totter. Tyrants ascend and terrors threaten. Betrayal beckons, and loyalty is a broken road with peril around every bend.

Where will Heather and Picket land? How will they make their stand?

Sales Rank: #3128 in Books
Published on: 2014-12-12
Number of items: 1
Binding: Paperback
368 pages

Review
A captivating story with sword-bearing rabbits, daring quests, and moments of poignant beauty, The Green Ember is a tale that will delight and inspire young readers to courage and creativity. --Sarah Clarkson, Author of Read for the Heart and Caught Up In A Story

I don't usually tell people that there is a book they absolutely-must-no-questions-HAVE-TO-without-a-doubt read. But this one? How shall I put this? If I could choose only one book for my kids to read this year, this would be it. How's that for a recommendation? Go get it! Officially our favorite read-aloud ever. I'm recommending this to everyone who happens to lend me their ear for 5 seconds. From the Read-Aloud Revival to S.D. Smith: thank you for giving us this beautiful gem! --Sarah Mackenzie, Author of Teaching From Rest, Host of The Read-Aloud Revival Podcast

S. D. Smith has a voice for children and families that the world needs to hear. --Randall Goodgame, singer/songwriter for Slugs & Bugs, Veggie Tales

About the Author
S. D. Smith lives with his wife and their four kids in Grandview, West Virginia.

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103 of 103 people found the following review helpful.
Wonderful story. Fun adventure.
By J. Hanks
"My place beside you, my blood for yours. Till the Green Ember rises or the end of the world!" So ends the prologue to The Green Ember. What a start! S.D. Smith's debut novel stands in stark contrast to most contemporary middle school fiction. Courage, loyalty, wisdom, and hope abound. Classic virtues are esteemed. It is moral without moralizing. It is dramatic without resorting to preteen angst. It is swashbuckling without glorifying violence. Good is good and evil is evil. Clearly Smith is influenced by Lewis' Narnia, but this isn't derivitive fan fiction. Smith has created a new world that stands on its own inhabited by wonderful and sometimes terrifying characters.

Heather and Picket are young rabbits who are dragged into world events much larger themselves. Their journey begins as their parents are visited by mysterious strangers, and their father hints that the family history may be tinged with intrigue, betrayal, and great pain. Within the first few pages, Smith launches the reader along with Heather and Picket on a fast-paced flight away from their home and headlong toward something momentous. From labyrinths to hidden kingdoms, our heroes travel toward their destiny. Along the way they meet wonderful characters like the unexpectedly capable Smalls whose own path may be more dangerous than theirs. There is the dark and mysterious Helmer whose mastery of the arts of war draw Picket out from the prison of crippling self-indulgence and sets him on a trajectory of great danger and self-sacrifice. The wise Maggie O'Sage and Uncle Wilfred set hope firmly within their hearts.

Despite living in a blighted world surrounded by foes and treachery, Heather, Picket, and their new friends hold firmly to that hope. Till the Green Ember rises or the End of the World!

The Green Ember is at its core simply a good story. I recommend it as a read-aloud for younger children or a self-serve novel for middle schoolers. The reading level is comparable to the Chronicles of Narnia. My small kids love it. Rabbits with swords! What's not to love?

[Disclosure: I am related by marriage to the author. This relationship has not affected my objectivity when observing my children beg, "Please just one more chapter!"]

58 of 60 people found the following review helpful.
Designed For Children, Written For Everyone
By EnnisP
A great story, written well. It's full of intrigue, adventure, action, mystery, surprise and struggle, but with a good mixture of humor and playfulness. Written for children but in a way adults will enjoy.

The characters (the good guys) depict personal growth, sacrifice, humility, loyalty, trust, wisdom and dedication. The bad guys do what we expect bad guys to do. The story encourages us to visualize a future we cannot see, believe in it and work toward it.

Problems are created and resolved. Readers are filled with empathy for those being wronged and disgust for those causing it. You'll easily recognize and identify with the characters, the strong, the weak, the frustrated and the struggling.

A few phrases I loved:

"You can choose what you believe, but you can't change what's true.'
"This is a place where people make and are made."
"You cannot kill and idea. You cannot murder a dream."
And many more.

My favorite: "Like a waterfall letting a tear drop put out a fire."

55 of 57 people found the following review helpful.
she would often exclaim how wonderful it was
By Loren Warnemuende
We gave this to our nine-year-old daughter for Christmas and she polished it off within three days. Throughout her reading of it, she would often exclaim how wonderful it was, and the day she finished it she gave us a rave review as to all of the things that were great about it. I had to restrain her from telling me the whole story because I want to read it myself! My daughter is an avid reader and has liked a lot of books, but her excitement over The Green Ember was the greatest I've seen. She said she would like to write S. D. Smith to let him know he needs to write a sequel.

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Tuesday, November 22, 2011

[S231.Ebook] Ebook Free Digital Crafts: Industrial Technologies for Applied Artists and Designer Makers, by Ann Marie Shillito

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This book showcases ground-breaking methods and techniques that have been adapted from industry and are now being applied by designer-makers. To the uninitiated, these technologies may seem complex, but this book explains simply and clearly how they have developed, how they work, and their application. Packed full with case studies of artists using these processes, this book demonstrates that outstanding work is possible with the right equipment and know-how, and argues that designer makers have the mindset, skills and knowledge to creatively engage with these industrial technologies.

The technologies covered include 2D and 3D digital designing and modelling (including CAD and processing), 3D printing (additive manufacture), reverse engineering (scanning and digitising), CNC machining, laser and waterjet cutting. Featuring a breathtaking selection of work by contemporary makers - many of them early adopters of these technologies – this book illustrate the exciting potential of these tools to add value to the maker's practice, as well as inspiring and extending their range of work.

Sales Rank: #869454 in Books
Brand: Brand: AnC Black
Published on: 2013-12-05
Released on: 2013-12-05
Original language: English
Number of items: 1
Dimensions: 9.87" h x .42" w x 7.44" l, 1.10 pounds
Binding: Paperback
160 pages

Features

Used Book in Good Condition

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0 of 0 people found the following review helpful.
Five Stars
By ProtoEvan
kind of vague

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Monday, November 21, 2011

[N417.Ebook] Download Ebook , by Chuck D. Pierce The Worship Warrior: Ascending In Worship, Descending in War (Revised) [Paperback], by Chuck D. Pierce

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Published on: 2010-11-24
Binding: Paperback

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Tuesday, November 15, 2011

[L365.Ebook] Download The Bill: For Palma Vecchio, at Venice (The Art Monographs), by László Krasznahorkai

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In The Bill, L�szl� Krasznahorkai’s madly lucid voice pours forth in a single, vertiginous, eleven-page sentence addressing Palma Vecchio, a sixteenth-century Venetian painter. Peering out from the pages are Vecchio’s voluptuous, bare-breasted blondes, a succession of models transformed on the canvas into portraits of apprehensive sexuality. Alongside these women, the writer that Susan Sontag called “the Hungarian master of apocalypse” interrogates Vecchio’s gift: Why does he do it? How does he do it? And why are these models so afraid of him even though he, unlike most of his contemporaries, never touches them? The text engages with the art, asking questions only the paintings can answer.�

“L�szl� Krasznahorkai’s taut, almost explosive texts resemble prose poems more than short stories or conventional novella chapters, though they do not pretend to lyricism.”—Nation

Sales Rank: #1689511 in Books
Published on: 2013-11-15
Original language: English
Number of items: 1
Dimensions: 9.25" h x .18" w x 6.50" l, .20 pounds
Binding: Paperback
32 pages

Review
“A writer whose characters often exhibit a claustrophobic interiority. . . Krasznahorkai delights in unorthodox description; no object is too insignificant for his worrying gaze. . . . He offers us stories that are relentlessly generative and defiantly irresolvable. They are haunting, pleasantly weird and, ultimately, bigger than the worlds they inhabit.” (Jacob Silverman New York Times)

“The Bill features one glorious, eleven-page spanning sentence about the Venetian painter Palma Vecchio. . . . The book itself spans thirty-two pages, and since it’s a very beautiful Sylph Edition, it includes twelve stunning color plates that serve to enhance Krasznahorkai’s complex, clever use of language.” (Typographical Era)

“L�szl� Krasznahorkai is a Hungarian writer whose long and dense works are abundantly furnished with allusions and experiences drawn from the author’s exposure to many cultures through reading or travel. The worldview presented stems from a long, painful, at times bloody national history, and from a particular linguistic context. . . . With The Bill readers in English can get a view of the vast Krasznahorkai forest that teems with the at times disturbing life forms that populate it. As we head into the months of leisurely summer reading, those looking for rich works might think about the somewhat new phenomenon of slow reading, and choose to walk slowly through the unfolding landscape of translated books by L�szl� Krasznahorkai.” (Winnipeg Review)

About the Author
L�szl� Krasznahorkai is a Hungarian writer living in Berlin. Three of his works have been made into award-winning films by the renowned filmmaker B�la Tarr: Werckmeister Harmonies, Satantango, and The Horse from Turin. He has written seven novels and numerous other works, including Animalinside, also available from Sylph Editions. George Szirtes is an award-winning poet and one of the world’s best known translators from Hungarian. Palma Vecchio (c.1480–1528) was an Italian painter of the Venetian school. Famous works by Palma include a composition of six paintings in the Venetian church of Santa Maria Formosa and Three Graces.

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6 of 6 people found the following review helpful.
A literate, cultured, postmodern entertainment
By R. M. Peterson
Palma Vecchio (b. 1480, d. 1528; otherwise known as Jacopo Negretti) was a second tier Venetian painter. At least three of his paintings portray an ample, fetching, blonde young woman baring a breast. Perhaps his most famous painting, "The Three Graces", is of three almost bovine young women in red d�colletage. A phrase that comes to mind when looking at these paintings is "chaste sensuality".

The paintings are the focus and wellspring for THE BILL, a sprightly, sly, and witty sentence from postmodern Hungarian writer L�szl� Krasznahorkai. That's right, one cascading sentence, spread over fourteen pages. (Other pages of this pamphlet contain reproductions of the paintings themselves.) Krasznahorkai takes the point of view of an anonymous gent who has procured these models, these "not exactly fat but extraordinarily large women", for Palma Vecchio. Among other things, the narrator speaks of the amusing befuddlement caused by Palma's "look, don't touch" sessions with the women, "merely instructing the model in his quiet way, how she should sit or stand, and then he'd just look, watching how she looked at him, and then, after an age of waiting, would ask her to lower the left shoulder of her chemise a touch, or to ruffle up the folds of her dress a little more, or that she should uncover one breast, though he was always standing a good distance away, beyond touching distance".

I did not care at all for Krasznahorkai's contribution to "Animalinside", another joint art/prose publication from Sylph Editions. That was my introduction to Krasznahorkai, and I suspect that he is a writer who requires some getting used to. But the tone of "Animalinside" was malevolent, whereas here it is playful. Plus there are some intriguing doses of what might pass for philosophy: " * * * because there is nothing at all real about desire, desire consisting entirely of anticipation, that is to say the future, because, strange as it is, you can't go back in time, there's no returning from the future, from the thing that happens next, no way of getting back to it from the other side, the side of memory * * *".

THE BILL is an entertainment, but a literate and cultured entertainment that should not cause any embarrassment if spied by a visiting priest on your reading table. And what is "the bill"? One doesn't find out until the very end of that marathon sentence, but, if he has read that far and depending on how he interprets it, it might cause that priest some uneasiness.

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Saturday, November 12, 2011

[T270.Ebook] Get Free Ebook Calling youth to Christ, by Billy Graham

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Sales Rank: #1604362 in Books
Published on: 1947
Binding: Hardcover
131 pages

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Tuesday, November 8, 2011

[D555.Ebook] Ebook Download Scivias

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Hildegard of Bingen, twelfth-century Rhineland mystic, was one of Earth's most evolved and visionary individuals. Her alchemical weaving of earth and sky, water and fire, in Scivias (Know the Ways) is a magnificent fusion of divine inspiration and human intellect. As a visionary record, Scivias is perhaps the most complete and powerful documentation of mystical illumination in recorded history. Hildegard's work influence thousands during her lifetime, and was highly respected in religious, scientific, political, and artistic circles. After her death, it was suppressed by the ecclesiastical authorities. Now, after 800 years, her visions are again available to those open to the reawakening of mystical consciousness.

Sales Rank: #549128 in Books
Brand: Brand: Bear Co
Published on: 1985-10
Original language: Latin
Number of items: 1
Binding: Paperback
468 pages

Features

Used Book in Good Condition

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1 of 1 people found the following review helpful.
Unfaithful Editing! Not the Complete Work!
By Veritawesome
I am not giving the content of Hildegard's work 1 Star, but rather the editing of this work. While the main images of the Scivias are present, the editor has done a terrible job in picking and choosing which passages to include that expound the images. This is not at all the complete work!!! It leaves out so many important sections (e.g. Hildegard on gender, sacraments, etc).

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Friday, November 4, 2011

[Y160.Ebook] Ebook How to be Happy (or at Least Less Sad): A Creative Workbook, by Lee Crutchley

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Sales Rank: #2322886 in Books
Brand: Ebury Press
Published on: 2015-01-01
Original language: English
Number of items: 1
Dimensions: 8.27" h x .47" w x 5.31" l, .49 pounds
Binding: Paperback

Review
"This book does the work that I believe is most worthwhile - it does not hand you answers, it sets you up to find them yourself. One of the most accessible, relatable, unique and flawlessly crafted books that I have ever seen. A must have, a must read, a must do." Brianna Wiest, author of The Human Element "Taking the small incremental steps toward conquering depression takes courage, and even then, it helps to have any compassionate guidance you can find. How To Be Happy (Or At Least Less Sad) comes from a knowing, forgiving place. Its intentions are sincere. When I first read it I thought: I could have used a book like this.And then I thought: I still can use a book like this." Jason Porter, author of Why Are You So Sad? "How To Be Happy (Or At Least Less Sad) is the kind of friend I want around when I'm feeling sad. He lets me vent without judging me, gives me a little guidance, reminds me that I'm not alone, and lets me draw all over him with coloured pencils." Lisa Currie, author of The Scribble Diary and Me, You, Us "Whether you are just having a random sad day, or your bad days come a little bit more frequently than that, this book will help you shine a new light on your life. Filled with thoughtful, simple and heart-opening exercises, this book will give you a new lens that will help you get through the rough patches, week-by-week, day-by-day or minute-by-minute if that's all you can handle." Bernadette Noll, author of Slow Family Living "A breath of fresh air...This is a wonderful tool for anyone struggling with depression-or even just feeling blah." Publishers Weekly

About the Author
Lee Crutchley is an illustrator and designer, and the author of The Art of Getting Started.

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